Mark Ravenhill’s plays include ‘Shopping and Fucking’ and ‘The Cane’ (Royal Court Theatre’, ‘Mother Clap’s Molly House’ and ‘Citizenship’ (National Theatre)  ‘The Cut’ (Donmar) and…

Hello fellow writer, I include below three things I’ve come to learn as a Black writer. I hope that these points will be helpful to…

My dear colleague, Sorry that I’m only just getting back to you. When you introduced yourself to me at the press night aftershow party and…

This letter is addressed to a specific group of writers and theatre makers, namely those who have arrived to the UK as refugees.   Dear…

Together. It seems like a simple word. Or it did. It’s at the core of how most of us understand theatre, I’d suggest. Theatre is…

In the first of a brand new six part series in partnership with tiata fahodzi @TiataFahodzi we hear from award-winning playwright and screenwriter Matilda Feyiṣayọ…

There are many ways to write a play. One of the ways I’ve been experimenting with recently is to look inwards and really try and…

What happens when you submit your script to a Literary Department? What does a Literary Manager do? What’s the difference between a New Work Associate…